Family. Fun. Philanthropy. The art of being unsupervised.

The WirePresented by HIM

Stories

21 stories. Plenty to say.

Essays, dispatches and features from UNSUPERVISED*. Explore the full collection or choose Features for longer journeys into a person, place or family story.

21 stories

I Want to Know the Leaves — an essay by Clayton Hollingsworth, with his great-grandmother Tennie’s restored portrait, ivory torn paper, navy lettering and the official UNSUPERVISED* wordmark.
Feature / 26 October 2026 / 6 minute read

I Want to Know the Leaves

My great-grandmother deserves better than a name on a family tree. I want to understand the people between the names and dates, and leave something of my own story behind.

Family HistoryGenealogyArtificial IntelligenceMemory
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Six Years Later in Bosque County  — vivid cyan, magenta, yellow and cream torn-paper editorial collage with original source imagery. UNSUPERVISED*; claytonhollingsworth.com.
Feature / 24 October 2026 / 4 minute read

Six Years Later in Bosque County

Two voting photographs, six years apart, open a family history of Clifton, Lakeside Village, and the rooms where we learned to belong.

Family HistoryCivic Life
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Make Your Art — HIM. An imaginary parrot and an exaggerated expression.  — vivid cyan, magenta, yellow and cream torn-paper editorial collage with original source imagery. UNSUPERVISED*; claytonhollingsworth.com.
24 October 2026 / 4 minute read

Make Your Art

A zebra-patterned unicorn, a grandmother, and an imaginary realm: what making art with AI means to me.

ArtArtificial Intelligence
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The Faces We Keep — Ivana Sue Birdwell. Colorful pop-art portrait with layered torn-paper lettering, by Clayton Hollingsworth. www.claytonhollingsworth.com
Feature / 9 October 2026 / 7 minute read

The Faces We Keep

A day at the scanner becomes a Birdwell family album: Ivana Sue, Papa Birdwell, Big Mama, and the lives that still shape ours.

Family HistoryPhotographyMemoryRecovered
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Clifton, Rain or Shine Blue and ochre torn-paper townscape collage; adapted Clifton storefront photograph credited to Renelibrary, CC BY-SA 4.0. UNSUPERVISED branding and claytonhollingsworth.com.
Feature / 3 October 2026 / 8 minute read

Clifton, Rain or Shine

A rainy return to Clifton, Texas: childhood field trips, family roots, Olaf’s, and the people keeping a town’s cultural life going.

Family HistoryPhilanthropyLocal History
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Weekend Visitation, Texas Edition. Torn-paper editorial collage featuring Clayton and Perry Kate, with a Texas data center. By Clayton Hollingsworth.
27 September 2026 / 5 minute read

Weekend Visitation, Texas Edition.

A daughter comes home from boarding school, Sunday gets sentimental, and Texas reappears along the highway with billboards, server farms and grid anxiety.

FatherhoodBoarding SchoolTexas PoliticsArtificial Intelligence
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God Forbid We Just Go to the Butcher. Cream butcher-paper collage with the Vaughan Cemetery entrance and green and brick-red accents. UNSUPERVISED branding and claytonhollingsworth.com.
Feature / 19 September 2026 / 12 minute read

God Forbid We Just Go to the Butcher.

An errand with my mother became a journey through the Hill County landscape that keeps giving our family pieces of itself.

Family HistoryOral HistoryField Research
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Molly Ivins and the Hired Help. Plum and mustard literary collage featuring the Molly Ivins book cover. UNSUPERVISED branding and claytonhollingsworth.com.
13 September 2026 / 8 minute read

Molly Ivins and the Hired Help.

Politicians work for us. Texas is not a franchise model. And sometimes one sharp woman is enough to prove you are not alone.

DemocracyTexas PoliticsPolitical AccountabilityOpening Statement
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The Market Value of Letting Go. Teal and gold paper collage featuring four gold dental crowns. UNSUPERVISED branding and claytonhollingsworth.com.
6 September 2026 / 5 minute read

The Market Value of Letting Go.

Four gold crowns, three generations on the road and the woman who kept the clock.

FatherhoodInheritanceLetting GoOpening Statement
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Apparently, I’m Unsupervised Now. Denim-blue and coral paper collage featuring Clayton and Perry Kate in her dorm room. UNSUPERVISED branding and claytonhollingsworth.com.
30 August 2026 / 9 minute read

Apparently, I’m Unsupervised Now.

Boarding school, invisible fatherhood and what happens when a girl dad is left alone with modern technology.

FatherhoodBoarding SchoolFamily HistoryOpening Statement
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Fourteen, Apparently. Navy and mustard collage with a large number 14 and the Billy Guy Anderson football photograph. UNSUPERVISED branding and claytonhollingsworth.com.
16 August 2026 / retrospective

Fourteen, Apparently.

A number crosses generations and refuses to behave like a coincidence.

Number 14Family HistoryInheritanceRecovered
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The Work Nobody Sees. Forest-green paper collage with the Phillip Henry Marbut portrait and a family-research motif. UNSUPERVISED branding and claytonhollingsworth.com.
9 August 2026 / retrospective

The Work Nobody Sees.

A restored portrait, a DNA cluster and the patient labor between them.

DNAFamily HistoryResearchRecovered
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The Photograph Is Evidence. Charcoal and ivory torn-paper collage featuring the Ferguson family group portrait, a circa 1905 label, UNSUPERVISED branding and claytonhollingsworth.com.
26 July 2026 / retrospective

The Photograph Is Evidence.

Restore the damage. Preserve the people. Leave uncertainty visible.

Photo RestorationEvidenceFamily HistoryRecovered
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Distance Is an Operating Expense. Torn-paper and ledger collage with the Perry Ranch harvest photograph, bold editorial lettering and a seventeen-mile school journey detail, UNSUPERVISED branding and claytonhollingsworth.com.
19 July 2026 / retrospective

Distance Is an Operating Expense.

Seventeen miles to school is not atmosphere. It is the architecture of a childhood.

Rural TexasDistancePeanut FarmingFamily History
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Independence Requires Maintenance. Navy and parchment torn-paper collage with a repaired seam, an interpretive portrait of Daniel Perry III, UNSUPERVISED branding and claytonhollingsworth.com.
Interpretive image · family research
5 July 2026 / retrospective

Independence Requires Maintenance.

Two hundred fifty years later, freedom remains both inheritance and unfinished work.

IndependenceSlaveryFamily HistoryCivic Life
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