
A number crosses generations and refuses to behave like a coincidence.
Read the story →Now showing / RECOVERED
Jessie and Tennie meet at a station imagined as Heaven. Then Billy Guy arrives in his number 14 uniform. A family reunion told without a word.
Visual Genealogy. Historical Reconstruction.
See the film and meet the familyRead the essay: I Want to Know the Leaves →The stories around the film

A number crosses generations and refuses to behave like a coincidence.
Read the story →
Restore the damage. Preserve the people. Leave uncertainty visible.
Read the story →Feature / October 24
Two voting photographs, six years apart, open a family history of Clifton, Lakeside Village, and the rooms where we learned to belong.
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New / Sunday No. 004
A daughter comes home from boarding school, Sunday gets sentimental, and Texas reappears along the highway with billboards, server farms and grid anxiety.
Read the story
New exhibit / The Unpresidential Library
Katie Zacharia’s brief tenure raises a longer question about the president who hired her.
Read the story ↗October 17, 2026 · Opinion & satire · Imagined illustrationThree stories. Three cartoons. October 18, 2026.
The excuse ships before Election Day. The debate acquires a mute button. A shopping snag inspires a whole new mall.
Swipe through the cartoons →

New / Recovered / October 9
A day at the scanner becomes a Birdwell family album: Ivana Sue, Papa Birdwell, Big Mama, and the lives that still shape ours.
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Feature / October 3
A rainy return to Clifton, Texas: childhood field trips, family roots, Olaf’s, and the people keeping a small town’s cultural life going.
Read the storyClose to home / The Giving Fields
The places we remember still have work to do. Meet the people helping them do it.

Art, local history, and the work behind an open door.
Read the story
Sunday No. 003 / Opening statement
Politicians work for us. Texas is not a franchise model. And sometimes one sharp woman is enough to prove you are not alone.

The Unpresidential Library / Inside UNSUPERVISED
Great office. Questionable occupants.
A monument to the moments they’d rather you forgot.
THE UNPRESIDENTIAL LIBRARY · ORIGINAL SATIRICAL ARTThe Vault / Family Films
Family lives in motion, from surviving footage to newly made stories. Watch Together Again and explore the growing collection.
Enter the family film archive →The continuing record

My great-grandmother deserves better than a name on a family tree. I want to understand the people between the names and dates, and leave something of my own story behind.
A zebra-patterned unicorn, a grandmother, and an imaginary realm: what making art with AI means to me.

Student protests in France, my own marches in 1998, and the first full printed draft of an illustrated memoir.

A flattering tribute leaves difficult questions about arrival dates, slavery, and what a family history owes its subjects.

A presidential sex scandal, a mountain commune, spectacularly wrong shoes, and the family visit that brought two worlds to the same dinner table.

A day at the scanner becomes a Birdwell family album: Ivana Sue, Papa Birdwell, Big Mama, and the lives that still shape ours.

A rainy return to Clifton, Texas: childhood field trips, family roots, Olaf’s, and the people keeping a town’s cultural life going.

A daughter comes home from boarding school, Sunday gets sentimental, and Texas reappears along the highway with billboards, server farms and grid anxiety.

An errand with my mother became a journey through the Hill County landscape that keeps giving our family pieces of itself.

Politicians work for us. Texas is not a franchise model. And sometimes one sharp woman is enough to prove you are not alone.

Four gold crowns, three generations on the road and the woman who kept the clock.

Boarding school, invisible fatherhood and what happens when a girl dad is left alone with modern technology.

Three generations arrived. Two drove away.

A restored portrait, a DNA cluster and the patient labor between them.

An heirloom becomes evidence when the story stops floating loose from the object.

Seventeen miles to school is not atmosphere. It is the architecture of a childhood.

Highway 6, the Brazos and the institutions that keep a family trail legible.

Two hundred fifty years later, freedom remains both inheritance and unfinished work.
Inside UNSUPERVISED*

Six young Texans, one partially identified photograph and the discipline to leave uncertainty visible.
Open the record →Texas, philanthropy and civic life—observed closely, without a campaign sticker in sight.
Cross the county line →Current projectsFamily history, France, public memory and several undertakings that began innocently enough.
See what I’m working on →The UNSUPERVISED* Supply Closet
Coming soonUnofficial goods for parents who have been dismissed. No permission slips. No school affiliation. A questionable amount of freedom.
Concept imagery. Final products, colors and bad decisions may change.

By Clayton Hollingsworth
UNSUPERVISED* is a weekly dispatch about family photographs, useful institutions, ordinary places, unruly projects and the peculiar emotional weather of raising an independent daughter.
Meet Clayton →One thoughtful email