
Barbara Gayle Perry Hansen
1937–2020A clothing-store owner, family café worker and much-loved great-aunt, remembered for her dry wit, dancing and the sister trips.
Open profile →Recovered / 71 images · 82 people and counting
Every restored image is connected to its people, places, stories and evolving biographical record. Family memory is preserved as evidence—not promoted into certainty without documentation.

RECOVERED / Family film
Three generations meet in a silent, imagined reunion. Watch the film, then follow the names into their family stories.
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New / Recovered / October 9
A day at the scanner becomes a Birdwell family album: Ivana Sue, Papa Birdwell, Big Mama, and the lives that still shape ours.
Read the storyFollow the family
Begin with Clayton, or choose anyone in the tree. Follow the lines upward through generations; open a biography to meet the person behind the name.
Lines show published parent relationships. Other family connections appear below. This is a selected family tree, not a complete pedigree.
A dashed line means the relationship is preserved in the family record and its published biographies; it does not claim independent documentary proof for every generation. A solid line identifies a relationship supported by a specific document described in the biography. Selecting a name changes the starting person without changing the records.
Spouses, siblings, and other family connections are labeled separately from parents. A family connection does not assert biological parentage. Historical associates and people recorded in an enslaver’s estate have their own biographies in the directory and are not assigned as relatives. Living people’s dates, private circumstances, and unpublished parentage are excluded.
Portraits retain their source labels in the linked biographies. Gia’s portrait is AI-created; Daniel Perry III’s is interpretive.
People in the record
Family members, workers, witnesses and named people are connected to the images and stories in which they appear. Each page grows as more evidence is recovered.
Hover over an animated portrait to meet the person in motion. On a phone, select Play with sound. Portrait reconstructions, voices and dialogue are modern interpretations; each profile preserves its sources and image notes.

A clothing-store owner, family café worker and much-loved great-aunt, remembered for her dry wit, dancing and the sister trips.
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Granny Carden, the mother of Euna Mae Carden Perry.
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Husband of Jessie Quenile Walker and father of Tennie Lee Smith Anderson.
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Joel Jackson Birdwell, named in the family account as the father of Oides “Bill” Birdwell.
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Agnes Marie Brasher Birdwell, introduced through the family portraits preserved by Clayton Hollingsworth.
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Tennie Lee Smith Anderson’s mother, whose story runs from Navarro County through Oklahoma to Dallas and Addison.
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Oides and Emma Birdwell’s daughter, remembered for federal service, church work and leadership in Dallas schools.
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Mary Ellon “Sissy” Birdwell’s mother and Oides Birdwell’s first wife.
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Guy William Anderson’s wife and the mother of Colleen, Patsy Ruth and Billy Guy Anderson.
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Wanda Dale Perry’s first-born grandchild, pictured in a childhood portrait.
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Jim and Julia Perry’s daughter and Raymond’s sister, later identified as Margaret Jean Howell of Snyder.
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Billy Guy Anderson’s sister, remembered in a photograph beside a vintage car.
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Tennessee-born automobile mechanic, husband of Tennie Lee Smith, and father of Colleen, Patsy Ruth and Billy Guy Anderson.
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Hover for video ↗Mother of James Albert “Jim” Perry and wife of J. Daniel “Dan” Perry, joining the Sherrod and Perry branches of Clayton’s direct ancestry.
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Phillip Henry Marbut’s father, identified as a farmer in the supplied family history and as Reverend on his gravestone.
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Martha Ann’s father, identified in the supplied family history as a Tennessee-born blacksmith who lived in Limestone County, Alabama.
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Martha Ann’s mother, whose supplied family history connects the Smith and Bassham households in Tennessee and Alabama.
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Daughter of Levi Bassham and Sarah Smith, and mother of Mary Amby Marbut Pritchett.
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A West Texas farmer, mother and determined keeper of a disputed Ferguson land story—and of the family clock that eventually reached Clayton.
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A barber, cowboy, cedar cutter and farmer remembered for pairing a third-grade education with a searching civic intelligence.
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Hover for video ↗A Texas revolutionary-era settler and local official whose biography also includes landholding and the enslavement of other people.
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Hover for video ↗A son of Daniel Perry III whose family carried the proved Perry line from the Brazos country toward West Texas.
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Hover for video ↗A Burleson County ancestor whose attributed portrait anchors one of the family’s surviving visual records from the Brazos era.
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Hover for silent video ↗A Stonewall County farmer whose choices made work, school and opportunity more reachable for his children.
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A farmer, bookkeeper, homemaker and later namesake of Holly’s Snack Shack, remembered for the full range of labor rural family life required.
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Clayton’s maternal third-great-grandfather, whose family connects the Marbut, Pritchett and Birdwell generations.
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Born in Tennessee, Mary Amby raised eight children with Pink Pritchett in Hill County; a portrait reconnects her face with the Marbut and Birdwell generations.
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The great-grandmother who carries Clayton’s direct maternal line from the Pritchett and Marbut families into the Birdwell family.
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The Hill County great-grandfather whose work, marriage records, photographs and family-kept stone-point collection anchor the Birdwell side of Clayton’s Hill County story.
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Clayton’s maternal grandmother and the direct link between the Birdwell, Pritchett and Marbut research and Clayton’s mother, Gia.
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A living keeper of Birdwell family memory whose recollections reconnect Vaughan, Aquilla and Papa Birdwell’s framed stone-point collection.
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Shown at the top right of a childhood group photograph from the family album.
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Shown at the bottom left of a childhood group photograph from the family album.
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Shown at the bottom right of a childhood group photograph from the family album.
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A living member of Clayton’s Birdwell family whose participation helps keep family recollection connected to named people and places.
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The Hill County ancestor whose 1903 marriage to Mary Amby Marbut and grave at Vaughan place the Pritchett line in a precise family landscape.
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Big Mama’s sister and the source of the family story that she babysat Willie Nelson when he was a boy in nearby Abbott.
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Big Mama’s brother, remembered by Gia as a warm, mischievous uncle who mowed yards and gave children coins for Dr Peppers.
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Big Mama’s brother, buried immediately in front of his parents at Vaughan Cemetery and distinguished in family memory from Uncle Willie.
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Papa Birdwell’s son, a Hillsboro native and longtime mayor of Ferris whose life entered the permanent record through a Texas Senate memorial resolution.
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Clayton’s mother and the living family connection through whom the Anderson, Birdwell, Pritchett and Marbut lines reach Clayton.
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A University of Tulsa quarterback whose number 14 and place in Astrodome history became part of a much larger family story.
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A South Carolina ancestor whose estate record preserves both the material world of his household and the names of people it treated as property.
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Hover for video ↗The wife of Daniel Perry III and mother of James Whitehead Perry, connecting the Whitehead and Perry lines in the proved Texas family tree.
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Hover for video ↗A Stonewall County ancestor remembered in the Perry Ranch peanut-harvest photograph with his sons and the people who worked beside them.
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A Stonewall County ancestor whose portrait with James Albert “Jim” Perry gives a face to the household from which Clayton’s great-grandfather Raymond descended.
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Hover for video ↗The Perry ancestor between James Whitehead Perry’s Brazos generation and Jim Perry’s Stonewall County generation.
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Raymond Perry’s brother, present in family photographs of work and kinship on the Perry Ranch.
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Raymond Perry’s sister, identified by the surviving caption on a childhood studio portrait with Alvin and Raymond.
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Raymond Perry’s brother, seated between Lorene and Raymond in a labeled childhood studio portrait.
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A family-memory source for life on the Perry Ranch and the grandmother through whom Clayton’s Perry line descends.
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Clayton’s paternal grandfather and the family custodian through whom Della Mae Ferguson’s clock reached Clayton.
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Clayton’s father and the link through whom the Hollingsworth and Perry family histories became Clayton’s inheritance.
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Tex Hollingsworth’s wife in the family record and the mother of Billy Joe Hollingsworth Sr.
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A Texas-born Hollingsworth ancestor whose photographs and descendants connect the Rochester family to Clayton’s living line.
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Tex Hollingsworth’s older sister, photographed with him and their parents at Rochester in 1911.
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Wanda Perry’s younger sister, appearing as a child in restored Perry-family photographs.
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A migrant farmworker remembered by name as a valued, returning member of Raymond Perry’s harvest crew.
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The Tulsa receiver who caught Billy Guy Anderson’s touchdown pass in the first football game played in the Astrodome.
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Della Mae Ferguson’s sister, identified by family notes as a member of the circa-1905 Ferguson group and later the wife of Jep Hollingsworth.
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Della Mae Ferguson’s sister, identified by family notes as a member of the circa-1905 Ferguson group and later the wife of Oscar Hibdon.
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A person named in the 1827 estate transcription of Daniel Perry II, where the law treated his life as property.
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A person named only as Jesse in the 1827 estate transcription of Daniel Perry II.
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A person named only as America in the 1827 estate transcription of Daniel Perry II.
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A woman named in the 1827 Perry estate with two children whose names the transcription omitted.
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A person named only as Mingo in the 1827 estate transcription of Daniel Perry II.
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A person named in the 1827 estate transcription of Daniel Perry II with a recorded first and last name.
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A person named only as Arthur in the 1827 estate transcription of Daniel Perry II.
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Hover for video ↗Daniel Perry III’s second wife, also rendered Louisiana in family records. The project reports a December 1833 marriage bond and a later marriage recording in 1837.
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Hover for video ↗Jane married Daniel Perry III in 1851. The working register gives her life years as 1807–1896.
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Hover for video ↗Samuel is reported as Daniel Perry III’s son in family accounts. The working register places his birth before 1826 and his death before Daniel’s in 1869.
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Hover for video ↗William Morton Perry appears in the household of Daniel Perry III and Louisa Ann Morton Perry. The working family dates are 1834–1863.
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Hover for video ↗Daniel Perry IV, also called Daniel Jr. in the household overview, appears as a son of Daniel Perry III and Louisa Ann Morton Perry.
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Hover for video ↗Laura Anne “Annie” Perry Bryant appears as a daughter of Daniel Perry III and Louisa Ann Morton Perry. The working family dates are 1840–1883, and the household overview records her marriage to Charles C. Bryant.
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Hover for video ↗Mary appears as a daughter of Daniel Perry III and Louisa Ann Morton Perry. The working family dates are 1843–1852.
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Hover for video ↗Son of James Whitehead Perry and Sarah Ann Courtney Perry. Life years follow the working portrait register.
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Hover for video ↗Daughter of James Whitehead Perry and Sarah Ann Courtney Perry. Life years follow the working portrait register.
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Hover for video ↗Son of James Whitehead Perry and Sarah Ann Courtney Perry. Life years follow the working portrait register.
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Hover for video ↗Daughter of James Whitehead Perry and Sarah Ann Courtney Perry.
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Hover for video ↗A later generation along the Perry road in Clayton Hollingsworth’s family-history project.
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Hover for video ↗A later generation along the Perry road in Clayton Hollingsworth’s family-history project.
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Hover for video ↗Daughter of James Whitehead Perry and Sarah Ann Courtney Perry.
Open profile →Inside the archive

Phillip Henry Marbut. Identified by Clayton Hollingsworth in the front row, far left of the Marbut family photograph.

Mary Amby Marbut Pritchett. Identified by Clayton Hollingsworth in the front row, fourth from left of the Marbut family photograph.

Martha Ann Bassham Marbut. Identified by Clayton Hollingsworth in the front row, far right of the Marbut family photograph.



Believed to be David Alston Ferguson with six children.

Nolan David Smith. Premium HIM restoration from the supplied family portrait; damaged and indistinct details are interpretive.

Mary Ellon “Sissy” Birdwell as a child, in a restored and colorized family portrait. Color is interpretive.

August 1961
Alvin Perry, Lorene Perry, Raymond John D. Perry, Margaret Jean Perry, Julia Mae Riddle Perry and Otis Perry together in August 1961.

Traci Lee Hollingsworth, Wanda Dale Perry’s first-born grandchild.

Raymond Perry as a child. Solo portrait isolated from the photograph of Lorene, Alvin and Raymond.

Lorene Perry as a child. Solo portrait isolated from the photograph of Lorene, Alvin and Raymond.

Alvin Perry as a child. Solo portrait isolated from the photograph of Lorene, Alvin and Raymond.

Back row, left to right: Duny, Bruce, Gary. Bottom row: Gayla, Susan, Perry. HIM restoration.



Left to right: Brian, Granny and Dad (Perry Wayne Hollingsworth). Brian and Granny’s full identities are not assigned here. HIM restoration.

Wanda Dale Perry as a child.

Tennie Lee Smith Anderson, my great-grandmother.

Guy William Anderson wearing a jacket he borrowed that day. Lettering personalized to “GUY.”

Mary Ellon “Sissy” Birdwell in a restored and colorized family portrait. Colors are interpretive.

My grandmother, Ivana Sue Birdwell Anderson, as a baby.

Jessie Quenile Walker, my great-great-grandmother.

Mary Ellon “Sissy” Birdwell seated on a sofa. Restored colors are interpretive.

Navarro County, Texas
The Walker and Cope family in Navarro County, Texas.

Mary Amby Marbut Pritchett—Grandma Pritchett—seated beside a heater and flowers.

Edgar Lee “Tex” Hollingsworth seated outdoors with seven children. The individual children have not been identified in this record.

Julia Mae Riddle Perry, remembered as Granny Perry, in her pink suit.

Edgar Lee “Tex” Hollingsworth standing beside a saddled donkey.

Talulah Mae Akins Carden—Granny Carden—in a restored and colorized portrait.

Edgar Lee “Tex” Hollingsworth in a cowboy hat and striped shirt.

Edgar Lee “Tex” Hollingsworth and Inez Jecilia Farris Hollingsworth together outdoors.

Edgar Lee “Tex” Hollingsworth and Inez Jecilia Farris Hollingsworth in a close family portrait. Premium HIM black-and-white refinement of a supplied restored photograph.

Edgar Lee “Tex” Hollingsworth and Inez Jecilia Farris Hollingsworth together. Color and fine details are interpretive; the supplied restored monochrome photograph remains the reference.

Joel Jackson Birdwell. Color interpretation.

Joel Jackson Birdwell. Supplied monochrome portrait.

Agnes Marie Brasher Birdwell. Color interpretation.

Agnes Marie Brasher Birdwell. Supplied monochrome portrait.

Tennie Lee Smith Anderson, wife of Guy William Anderson. Portrait supplied by Clayton Hollingsworth.

Location unconfirmed
Lula Colleen Anderson Watson in a photographic reconstruction based on the original family photograph. Exact portrait selected by Clayton Hollingsworth on October 25, 2026. Color and fine reconstructed details are interpretive; the original remains preserved privately.

Location unconfirmed
Guy William Anderson in an interpretively colorized portrait reconstructed from a small black-and-white source. Exact portrait selected by Clayton Hollingsworth on October 25, 2026. Color and fine reconstructed details are interpretive; the original remains preserved privately.


Family photograph
AI-assisted portrait extracted from a family photograph, gently retouched and colorized. Selected by Clayton Hollingsworth.

Family photograph
AI-assisted solo headshot derived from a family photograph, selected by Clayton Hollingsworth.

Location unknown
Portrait supplied with John Adams Marbut’s family profile by Clayton Hollingsworth. Already colorized when supplied; colors and prior reconstructed detail are interpretive. Original photographic provenance is unknown.

Location unconfirmed
Mary Amby Marbut is in the bottom row, fourth from left; Phillip Henry Marbut is at far left; and Martha Ann Bassham is at far right. Other people remain unidentified. Two men in the back row hold violins and bows.

Circa 1905 / Probably Haskell County, Texas
Six young Ferguson relatives, including Clayton’s second-great-grandmother Della Mae Ferguson. Her sisters Mary Ferguson Hollingsworth and Nora Ferguson Hibdon appear with two Ferguson brothers and a cousin; the exact positions remain under review.

Circa 1965–1973 / Texas
Clayton’s second-great-grandmother Della Mae Ferguson holds the ornate clock that later came to Clayton through his paternal grandfather, Papa Bill Hollingsworth.

1911 / Rochester, Haskell County, Texas
Clayton’s second-great-grandparents Edd Hollingsworth and Della Mae Ferguson with their children—Clayton’s great-grandfather Edgar “Tex” Hollingsworth and great-grand-aunt Minnie.

Nineteenth century / interpretive image / Fort Bend County, Texas
An interpretive portrait prepared from family research. No surviving camera portrait has been established; this image is presented as interpretation, not photographic evidence.

Circa 1870s–1880s / Texas
Clayton’s fourth-great-grandparents James Whitehead Perry and Sarah Ann Courtney Perry. The date is estimated from their known lives, clothing and photographic format.

Circa 1938–1943 / Perry Ranch near Aspermont, Texas
Clayton’s great-grandfather Raymond Perry; Raymond’s father Jim; Raymond’s brother Otis; and Ramon, a migrant farmworker welcomed back for harvest seasons. The circa range is based on Jim Perry’s death in 1943 and visual evidence.

Circa 1950 / Texas
Clayton’s great-grandparents Raymond Perry and Euna Mae Carden Perry with their daughter Sandra, Raymond’s brother Otis and other Perry relatives.

Circa 1924 / Texas / exact place unconfirmed
The surviving print labels the children Lorene, Alvin and Raymond from left to right. The photograph is estimated to date to circa 1924, when Raymond was about seven and Alvin about three.

Euna Mae Carden Perry at left and Raymond John D. Perry at right.

Early twentieth century / Texas / exact place unconfirmed
Clayton’s great-great-grandparents James Albert “Jim” Perry and Julia Mae Riddle Perry. The supplied image is a colorized derivative.

Wedding portrait / Texas / exact place unconfirmed
Clayton’s maternal grandmother Ivana Sue Birdwell in her wedding portrait.

Texas / exact place unconfirmed
Oides “Bill” Birdwell—Clayton’s maternal great-grandfather and the family’s Papa Birdwell.

Texas / exact place unconfirmed
Mabel Marzelle Pritchett Birdwell—Clayton’s maternal great-grandmother—pictured at right beside her husband, Oides “Bill” Birdwell.

Photographed September 2026; object dates unclassified / Family collection / exact find locations not published
This framed collection of worked-stone points belonged to Papa Birdwell. The objects have not been archaeologically classified.

Senior year / Institution to be verified
Billy Guy Anderson in his senior yearbook portrait. Restored and interpretively colorized from the family photograph. The yearbook page names him as a senior and one of the school’s “Most Popular” students; the full source page remains preserved.

Place unconfirmed
Clayton’s paternal grandfather Billy Joe Hollingsworth Sr.—Papa Bill—in a cowboy hat.

Youth football portrait / Place unconfirmed
A young Billy Joe Hollingsworth Sr. in football gear. The restored derivative removes age damage while preserving his face, helmet, uniform, original composition and handwritten signature; the damaged source remains archived.

Circa 1910–1920 / United States
The family archive identifies this sitter as Clayton’s maternal third-great-grandfather Phillip Henry Marbut, 1853–1921. The restoration preserves his closed left eye and other individual features.

Circa 1950s / Texas
Clayton’s maternal grandfather Billy Guy Anderson, wearing football number 14. The approximate date follows the uniform, photographic style and family context.

1969 / United States
Glendale Stamps portrait, 1969. Wikimedia Commons identifies this image as public domain in the United States. Original small-format image preserved without alteration.

Modern reconstruction from a family portrait dated 1911 / Source photograph attributed to Rochester, Haskell County, Texas
AI-assisted historical reconstruction based on HIM-2026-012. William Edward Hollingsworth, reconstructed from the family portrait identified as Rochester, Texas, 1911. The setting, color and reconstructed details are interpretive; the preserved 1911 family photograph remains the source record.

Modern reconstruction from a family portrait dated 1911 / Source photograph attributed to Rochester, Haskell County, Texas
AI-assisted historical reconstruction based on HIM-2026-012. Della Mae Ferguson Hollingsworth, reconstructed from the family portrait identified as Rochester, Texas, 1911. The setting, color and reconstructed details are interpretive; the preserved 1911 family photograph remains the source record.

Modern reconstruction from a family portrait dated 1911 / Source photograph attributed to Rochester, Haskell County, Texas
AI-assisted historical reconstruction based on HIM-2026-012. Minnie Lee Hollingsworth, reconstructed from the family portrait identified as Rochester, Texas, 1911. The setting, color and reconstructed details are interpretive; the preserved 1911 family photograph remains the source record.

Modern reconstruction from a family portrait dated 1911 / Source photograph attributed to Rochester, Haskell County, Texas
AI-assisted historical reconstruction based on HIM-2026-012. Edgar Lee “Tex” Hollingsworth, reconstructed from the family portrait identified as Rochester, Texas, 1911. The setting, color and reconstructed details are interpretive; the preserved 1911 family photograph remains the source record.

Modern reconstruction from a family portrait dated 1911 / Source photograph attributed to Rochester, Haskell County, Texas
AI-assisted historical reconstruction based on HIM-2026-012. The supplied reconstructed group is retained alongside the earlier preserved family photograph; color, setting and reconstructed details are interpretive.
The standing image rule
Every archival image displayed by UNSUPERVISED* carries a treatment note. Original scans remain preserved; restored and colorized derivatives are labeled. Faces, bodies and historically meaningful objects are not cosmetically rewritten.
Identifications are recorded according to family memory and revised as documentary evidence improves. When no date survives, the caption uses a defensible circa range based on known lives, clothing, photographic format, setting and visual evidence.